This ongoing series refers to the term ‘site-specific’, a term used when artwork responds to, or has a direct correlation with, a specific location, putting emphasis on our relationship to the land and its particular context. SIGHT-specific addresses the importance  of our relationship with the land, while challenging our reliance on sight in traditionally visual spaces. Landscape art has traditionally been reserved for the sighted. Artworks in the series explore the possibilities of embossed surfaces, fragrant scents, and audio recorded documentation in collaboration with two-dimensional surfaces – mediums that are often prohibited to touch – to enable an accessible, immersive experience for Blind and low vision audiences.

The collection of artworks are like diary entries of daily observations from both Brouwer’s home region and an artist residency in France. Brouwer’s attention to land and culture in both locations illustrates the need to recognize the importance of land, or “terroir”, as deeply connected to lifestyle and quality of life. The painted prints have been intentionally abstracted and blurred with some areas missing, challenging the viewer to imagine the completed landscape through touch and description. These artworks are paired with audio recordings of image descriptions and sounds found in the represented location, which are activated when touched. This interactive collection of land portraits reminds us to be intentionally present to all our senses in natural spaces, to practice gratitude for these spaces amidst a global climate crisis, and to develop a stronger bond to the Canadian landscape as an integral part of life.

 

CANADA

 

 

FRANCE

 

The artist gratefully acknowledges the financial support of the Region of Waterloo Arts Fund and Canada Council for the Arts.