“Immediately, something like scales fell from Saul’s eyes”- Acts 9:18
The Scales That Fall From Our Eyes borrows imagery from the Biblical story of Saul (before renamed as the apostle Paul), using the scales as a metaphor to represent the change that takes place when shedding prejudiced or inaccessible traditions in order to support justice and inclusivity for marginalized communities. Additionally accessible through touch and sound, the artworks are intentionally obscured visually or translated into the Braille language, drawing attention to the necessity of including non-sighted audiences in the art community by changing the way we ‘view’ art. The use of abstracted visuals and the Braille language exhibits a relationship between the activation of one’s senses and their perception, inviting visitors to interact with art in new ways and to learn to interpret their experiences in ways that do not necessarily depend on vision.
This exhibition was first displayed in June 2022 at Centre[3] as a result of the Emerging Artist Residency program. Exhibition images courtesy of Lesley Loksi Chan.
Soft-Spoken series
Soft-Spoken series
From left to right: (a conversation with Tim Peters), (a conversation with Eric Bourgeois), (a conversation with Jess Hannigan). Acrylic on canvas, touch board, 3D printed case, conductive paint, wooden blocks, headphones, and cables. 2021.
Soft-Spoken (detail)
Soft-Spoken
Inkblot No. 1 print
Inkblot No. 1 print
Blind embossed woodcut print with two grommets.
Inkblot No. 5 print (detail)
Inkblot No. 5 print (detail)
Woodcut blind emboss on Stonehenge paper. 13.75" x 14.75". 2021.
Scales
Scales
Dura-lar film and oil on canvas, 18" x 24", 2020-2021
Scales
CONTACT Kit No. 8
CONTACT Kit No. 8
CONTACT Kit No. 8
Acrylic on panel, Dura-lar film, glue dots, grommets, cardboard box, silkscreen prints on Stonehenge paper, vellum, paper clips, staples. 12" x 12" x 2". 2021.
CONTACT sketch
CONTACT sketch
Embossing on Dura-lar film and monoprint on Stonehenge paper. 2021.
Since the Centre[3] show, this exhibition was expanded with additional artworks and displayed at Tangled Art + Disability from September to November 2023. The audio-activated artworks can be interacted with on Tangled’s website. Exhibition images courtesy of Felicia Byron Photography.
Scales
Soft-Spoken
Soft-Spoken (a series of conversations with Eric Bourgeois, Kelly Greenaway, Jess Hannigan, Kristin Hay, Andrew Joldersma, Tara McFadyen, and Tim Peters). Acrylic on canvas, conductive paint, copper tape, headphones, and touch board, varied dimensions, 2020-2022
Soft-spoken
Soft-Spoken
Soft-Spoken
Soft-Spoken
CONTACT Kit No. 11
CONTACT Kit No. 11
Acrylic on panel, Dura-lar film, glue dots, grommets, cardboard box, silkscreen prints on Stonehenge paper, vellum, paper clips, staples, 12" x 12" x 2", 2023
CONTACT Sketch
CONTACT sketch
Monoprint on Stonehenge paper, and blind emboss on Dura-lar film, 10" x 12", 2021
CONTACT Sketch
Out of Body
Out of Body
Out of Body
Out of Body (inkblot soundscape)
Acrylic on panel, dowels, fishing wire, cotton fabric, felt, wood sheets, Dura-lar film, copper wire, copper tape, touch board, speakers. 36"x72", 2022-2023
Out of Body
Out of Body
Inkblot No. 5 print
Inkblot No. 5 print
Woodcut blind emboss on Stonehenge paper, 13.75" x 14.75", 2021
Inkblot No. 1 print
Woodcut blind emboss on Stonehenge paper, 13.75" x 14.75", 2021
Inkblot No. 1 print
This exhibition was partially funded by Ontario Arts Council.
The technology for the Soft-Spoken series was generously funded by Hamilton Arts Council, Centre[3], Canada Council for the Arts, and Ontario Arts Council.
The volunteers from Soft-Spoken have been given an honorarium for their time thanks to the Hamilton Artist’s Inc and Factory Media Centre microgrant, and Canada Council for the Arts.